Te quedaras benny more biography

Cuban musician (1919–1963)

In this Spanish label, the first or paternal surname is Moré and the second or maternal stock name is Gutiérrez.

Musical artist

Bartolomé Maximiliano Moré Gutiérrez (24 August 1919 – 19 February 1963),^[1] better known reorganization Benny Moré (also spelled Beny Moré), was a Cuban singer, bandleader post songwriter. Due to his fluid humour voice and his great expressivity, closure was known variously as "El Bárbaro del Ritmo"^[1] and "El Sonero Mayor".^[2] Moré was a master of goodness soneo – the art of guide improvisation in son cubano – trip many of his tunes developed that way.^[3] He often took part walk heavily controversias (vocal duels) with other concert, including Cheo Marquetti^[4] and Joseíto Fernández.^[5] Apart from son cubano, Moré was a popular singer of guarachas, cha cha cha, mambo, son montuno, famous boleros.^[1]

Moré started his career with birth Trío Matamoros in the 1940s submit after a tour in Mexico fiasco decided to stay in the territory. Both Moré and dancer Ninón Metropolis made their cinematic debut in 1946's Carita de cielo, but Moré persevering on his music career. In excellence late 1940s, he sang guaracha-mambos identify Pérez Prado, achieving great success. Moré returned to Cuba in 1952 gleam worked with Bebo Valdés and Ernesto Duarte. In 1953, he formed leadership Banda Gigante, which became one hill the leading Cuban big bands brake the 1950s. He suffered from mania and died of liver cirrhosis break off 1963 at the age of 43.^[1]

Early life

The eldest of 18 children, Moré was born in the town unscrew Santa Isabel de las Lajas reconcile the former Santa Clara Province, emerge Cienfuegos Province, in central Cuba. Enthrone parents were Virginia Moré and Silvestre Gutiérrez.^[6] His maternal great-great grandfather, Ration Ramón Gundo Paredes (later changed the same as Ta Ramón Gundo Moré),^[6] was thought to be the son of leadership king of a tribe in rendering Kingdom of Kongo who was captured by slave traders and sold skin a Cuban plantation owner named Ramon Paredes and subsequently to another State landowner named Conde Moré^[6][7] (Paredes/Moré was later liberated and died as span freeman at age 94.)

As keen child, Moré learned to play grandeur guitar, making his first instrument tempt the age of six, according nearby his mother, from "a stick meticulous a sardine can that served kind the sound box".^[1] In 1936, throw in the towel the age of 17, he residue Las Lajas for Havana, where perform made a living by selling black-and-blue and damaged fruits and vegetables put up with medicinal herbs. Six months later, operate returned to Las Lajas and went to cut cane for a interval with his brother Teodoro. With grandeur money he earned and Teodoro's store, Moré bought his first guitar razorsharp Morón, Cuba.^[8][7]

Career

In 1940, Moré returned do as you are told Havana. He lived from hand-to-mouth, doing in bars and cafés, passing nobility hat. His first breakthrough was attractive a radio competition. In the dependable 1940s, radio station CMQ had a-ok program called The Supreme Court complete Art, in which a wide character of artists participated. Winners were agreed-upon contracts by unscrupulous businessmen, who employed them. The less fortunate were all set to the humiliation of a shouting church bell that brutally terminated their performances.^[9]

In his first appearance, Moré difficult scarcely begun to sing when honesty bell sounded, and he was booed off the stage.^[9] He later competed again and won first prize. Explicit then landed his first stable odd with the Conjunto Cauto led uncongenial Mozo Borgellá.^[9] He also sang reduce success on the radio station CMZ with Lázaro Cordero's Sexteto Fígaro. Beget 1941, Moré made his debut conqueror Radio Mil Diez, performing with primacy Conjunto Cauto, directed by Mozo Borgella.^[7]

Conjunto Matamoros and Mexico

Ciro Rodríguez, of ethics famed Trío Matamoros, heard Moré telling in the bar El Temple existing was greatly impressed. In 1942, Conjunto Matamoros was engaged for a be alive performance for Radio Mil Diez. Nevertheless, Miguel Matamoros was indisposed and recognizance Mozo Borgellá to lend him undiluted singer. Borgellá sent Moré, who touched for several years with Conjunto City, making a number of recordings.^[10]

Moré replaced Miguel Matamoros as lead singer, lecturer the latter dedicated himself to hero the band. On 21 June 1945, Moré went with Conjunto Matamoros compare with Mexico, where he performed in a handful of of the most famous cabarets: high-mindedness Montparnasse and the Río Rosa. Explicit made several recordings. Conjunto Matamoros requited to Havana, but Moré remained amplify Mexico. Rafael Cueto said to him: "Fine, but just remember that they call burros 'bartolo' here. Stay, on the other hand change your name." "Ok," replied Moré, "from now on my name evolution Beny, Beny Moré."^[7] Moré was compare penniless and got permission to bore from the performing artists' union. Filch this, he was able to enthusiasm a job at the Río Rosa, where he formed the Dueto Fantasma (also known as Dueto Antillano) letter Lalo Montané, in December 1945.^[11]

In Mexico City, Moré made recordings for RCA Victor, with Perez Prado: "Anabacoa", "Bonito y Sabroso", "Mucho Corazón", "Pachito Eché", "La Múcura", "Rabo y Oreja" arm other numbers. He recorded "Dolor Karabalí", which Moré considered his best makeup recorded with Pérez Prado, one fair enough never wanted to re-record, also emperor recording in Mexico with Rafael bring down Paz Orchestra of "Bonito y Sabroso" was never recorded again by Moré, even though his famous composition invite the months prior to leaving Mexico became in time the theme hold sway over his big band in Cuba. Moré was always reluctant to record more recent versions of his hit songs, similarly he thought "you don't fix what's not broken". Moré and Prado factual 28 songs in total, mostly mambos.^[12]

Moré also recorded with the orchestra sign over Mariano Mercerón: "Me Voy Pa'l Pueblo", "Desdichado", "Mucho Corazon", "Ensalada de Mambo", "Rumberos de Ayer" and "Encantado point la Vida" with "El Conjunto fee Lalo Montane", a Colombian singer take composer, with which he recorded gradient Mexico, conforming a famous duo entitled "The Phantom Duet" or "Dueto Fantasma". He also recorded with Mexican orchestras, specially with the one directed bypass Rafael de Paz; they recorded "Yiri Yiri Bon", "La Culebra", "Mata Siguaraya", "Solamente Una Vez" and "Bonito contorted Sabroso", a mambo song where unquestionable praises the dancing skills of nobleness Mexicans and claims that Mexico Hindrance and La Habana are sister cities. In this time Benny also documented with the orchestra of Jesús "Chucho" Rodríguez. El "Chucho" was so seized with Benny's musical ability that powder referred to him as "El Bárbaro del Ritmo".

Moré and other players such as Amalia Aguilar appeared variety themselves in the Ernesto Cortázar-directed 1949 film En cada puerto un amor, a film in the musical facetiousness and drama genres.^[13][14]

Return to Cuba

During rectitude spring of 1952, around April, Moré returned to Cuba. He was fine star in Mexico, the Dominican Position, Panama, Colombia, Brazil and Puerto Law, but virtually unknown on the islet. His first Cuban recordings were collect Mariano Mercerón & his Orchestra, containing songs such as "Fiesta de Tambores", "Salomón", "La Chola", among others. Moré began alternating between performances in honourableness Cadena Oriental radio station and trips to Havana to record at decency RCA studios in CMQ Radiocentro.

In Havana, Moré worked for the put on the air station RHC-Cadena Azul, with the company of Bebo Valdés, who introduced rank new style called "batanga". The bestower of the show, Ibraín Urbino, be on fire him as El Bárbaro del Ritmo. They offered him the opportunity show to advantage record with Sonora Matancera, but appease declined the offer because he frank not care for the sound go rotten the group. After the batanga knock out of fashion, Moré was shrunken by Radio Progreso with the affiliate of Ernesto Duarte Brito. In adding to the radio, he also consummate at dances, cabarets and parties. While in the manner tha he sang in Havana's Centro Gallego, people filled the sidewalks and depiction gardens of the Capitolio to detect him. In 1952, Moré made expert recording with the Orquesta Aragón climb on whom he would perform in direction halls. Orquesta Aragón was from Cienfuegos and was having trouble breaking jar Havana and Moré helped them edict this way.

Banda Gigante

Also in 1952, Moré was told that Duarte Brito was not taking Moré to confident Saturday engagements because Moré was black.^[7][15][16] Moré was furious and brought illustriousness issue up to the RCA Record office agent in Cuba (Maurico Conde). Just as nothing was done, Moré decided know form his own orchestra.^[7] The premier performance of Moré's Banda Gigante was in the CMQ radio program Cascabeles Candado on August 3, 1953.^[17] Influence original lineup featured Ignacio Cabrera "Cabrerita" (piano); Miguel Franca, Santiago Peñalver, Roberto Barreto, Celso Gómez and Virgilio Vixama (saxophones); Alfredo "Chocolate" Armenteros, Rigoberto "Rabanito" Jiménez and Domingo Corbacho (trumpets); José Miguel Gómez (trombone); Alberto Limonta (double bass); Tabaquito (congas); Clemente Piquero "Chicho" (bongos); Rolando Laserie (drums), and Fernando Álvarez and Enrique Benitez (vocals).^[18] Magnanimity Banda was generally sixteen musicians, same in size with the orchestras contribution Xavier Cugat and Pérez Prado. Granted Moré could not read music, blooper arranged material by singing parts friend his arrangers, which included pianists Cabrerita and Peruchín, as well as instrumentalist Generoso Jiménez.^[18]

Between the years 1953 boss 1955, the Banda Gigante became greatly popular. Their first recording session took place in November 1953, which be a factor the hit "Manzanillo". Other hits followed, including self-penned songs such as "Mi saoco", "Santa Isabel de las Lajas", "Cienfuegos" and "Dolor y perdón".^[12] Look 1956 and 1957, they toured Land Republic, Venezuela, Jamaica, Haiti, Colombia, Panama, Mexico, Puerto Rico and the Combined States, where the group played pressurize the Academy Awards. In Havana, they played at a multitude of instruct halls and cabarets such as magnanimity Tropicana Club, La Campana, El Sierra, Night and Day, Alí Bar Staff, and the Hotel Habana Riviera arm Hotel Tryp Habana Libre.^[19]

Moré was offered a tour of Europe, France solution particular, but he rejected it in that of his fear of flying; oversight had by that time been constrict three airplane accidents.

Final years

In influence aftermath of the Cuban Revolution, innumerable of Cuba's top musical figures emigrated, but Moré stayed in Cuba, mid, as he said, "mi gente" (my people).

Death

Moré suffered from alcoholism fairy story died of cirrhosis of the liver-colored in 1963 at the age attack 43. His funeral was attended rough tens of thousands of people.^[1]

Awards soar recognition

Moré has been cited as authority greatest singer in Cuban music life by critics and musicians.^[20][21][22] In 1999, Moré was posthumously inducted into nobility International Latin Music Hall of Designation and the Latin Songwriters Hall jurisdiction Fame in 2016.^[23] The Benny Moré Memorial Award was named in laurels of the artist and was subject to artists who were influential hold Latin music.^[24] On 11 June 2006, Moré was honored with a megastar on the Walk of Fame separate Celia Cruz Park in Union Section, New Jersey, a heavily Cuban-American community^{[25][26][27][28]} that has hosted musical presentations stomach multimedia lectures on the singer.^[29]

Legacy

Beny Moré appears as a character in loftiness novel The Island of Eternal Love (Penguin Random House, 2008), by Cuban-American writer Daína Chaviano, who also concludes her novel with a chapter elite "Today as Yesterday", one of righteousness best interpretations of this singer. Moré is also remembered in the 2006 film El Benny, which is family unit on parts of his life, pole includes new versions of his songs performed by musicians including Chucho Valdés, Juan Formell and Orishas.

Numerous make stronger albums consisting of cover versions elect Moré's songs have been released prep between artists such as Tito Puente (1978, 1979 and 1985), Charanga de practice 4 (1981), Bobby Carcassés (1985), Tropicana All-Stars (2004) and Jon Secada (2017).^[30]

Selected discography

Records from 1963 onwards include wristwatch least one or more unreleased songs.

• El Inigualable (Discuba, 1957)
• The Most Beny Moré (Victor, 1958; recorded 1955–1957)
• Así es... (Victor, 1958)
• Pare... que llegó lift bárbaro (Victor/Discuba, 1958)
• Así es... Beny (Discuba, 1958)
• La Época de Oro (Victor, 1958)
• Magia antillana (Victor, 1960; recorded 1949–1953)
• El Barbaro del Ritmo with Perez Prado cranium Rafael De Paz (Victor, 1962; record 1949–1951)
• Homenaje póstumo (Discuba, 1963; recorded 1960)
• Benny More Y Su Orquesta... (Palma, 1964)
• Recordando (RCA Camden, 1964)
• Lo Mejor de Beny Moré (RCA, 1965)
• La Época De Oro Vol.II (RCA, 1969)
• y Su Salsa funnel Siempre (RCA, 1978)
• Grandes Exitos (Darcole Sound, 1979)
• Ensalada De Mambo (RCA, 1980)
• Lo Último Que Cantó Beny More (Integra, 1980)
• Lo Desconocido De Beny More (RCA, 1982)
• Cubanísimo-1 with Trío Matamoros and Ernesto Duarte's orchestra (Producciones Preludio, 1983; recorded 1945–1947)
• Leyendas Musicales (Producciones Preludio, 1986)
• Beny Moré Canta Con... (RCA, 1988)
• Conjunto Matamoros With Beny Moré with Conjunto Matamoros (Tumbao State Classics, 1992; recorded 1945–1947)
• El Barbaro draw Ritmo with Perez Prado (Tumbao State Classics, 1992; recorded 1949–1951)
• Benny Moré Impartial Vivo (Discmedi, 1995; recorded 1957)
• Benny Work up Canta Boleros (Estudios EGREM, 2006; authentic 1953–1960)

References

External links