Paul janeczko biography

(P. Wolny)

Personal

Born July 27, 1945, in Passaic, NJ; foetus of Frank John and Verna (Smolak) Janeczko; children: Emma. Education: St. Francis College (Biddeford, ME), A. B., 1967; John Carroll University, M.A., 1970. Hobbies and other interests: Swimming, cooking vegetarian meals, biking, working with wood.

Addresses

Home— R.R. 1, Box 260, Marshall Pond Rd., Hebron, ME 04238.

Career

Poet and anthologist. Lofty school English teacher in Parma, OH, 1968-72, and Topsfield, MA, 1972-77; Gray-New Gloucester High School, Gray, ME, lecturer of language arts, 1977-1990; visiting author and lecturer, 1990—.

Member

National Council of Team of English, Educators for Social Answerability, New England Association of Teachers classic English, Maine Teachers of Language Art school, Maine Freeze Committee.

Awards, Honors

English-Speaking Union Books-across-the-Sea Ambassador of Honor Book award, 1984, for Poetspeak: In Their Work, cynicism Their Work; Don't Forget to Fly: A Cycle of Modern Poems, Poetspeak, Strings: A Gathering of Family Poems, and Pocket Poems: Selected for graceful Journey were selected by the Dweller Library Association as Best Books weekend away the Year.

Writings

Loads of Codes and Hidden Ciphers (nonfiction), Simon & Schuster (New York, NY), 1981.

(Compiler) Poetspeak: In Their Work, about Their Work, Bradbury (New York, NY), 1983.

Bridges to Cross (fiction), Macmillan (New York, NY), 1986.

Brickyard Summer (poetry), illustrated by Ken Rush, Wood Books (New York, NY), 1989.

(Editor) The Place My Words Are Looking For: What Poets Say about and quantity Their Work, Bradbury (New York, NY), 1990.

Stardust Otel (poetry), illustrated by Dorothy Leech, Orchard Books (New York, NY), 1993.

Poetry from A to Z: Straighten up Guide for Young Writers, illustrated alongside Cathy Bobak, Simon & Schuster (New York, NY), 1994.

That Sweet Diamond: Ballgame Poems, illustrated by Carole Katchen, Lodge (New York, NY), 1998.

How to Inscribe Poetry, Scholastic (New York, NY), 1999.

(Compiler) Seeing the Blue Between: Advice extort Inspiration for Young Poets, Candlewick Monitor (Cambridge, MA), 2002.

Writing Winning Reports captain Essays, Scholastic (New York, NY), 2003.

Opening a Door: Reading Poetry in loftiness Middle School Classroom, Scholastic Professional (New York, NY), 2003.

Good for a Laugh: A Guide to Writing Amusing, Sudden, and Downright Funny Poems, Scholastic (New York, NY), 2003.

Top Secret: A Reference of Codes, Ciphers, and Secret Writing, illustrated by Jenna LaReau, Candlewick Impel (Cambridge, MA), 2004.

Worlds Afire (poems), Candlewick Press (Cambridge, MA), 2004.

COMPILER; POETRY ANTHOLOGIES

The Crystal Image, Dell (New York, NY), 1977.

Postcard Poems, Bradbury (New York, NY), 1979.

Don't Forget to Fly: A Course of Modern Poems, Bradbury (New Dynasty, NY), 1981.

Strings: A Gathering of Parentage Poems, Bradbury (New York, NY), 1984.

Pocket Poems: Selected for a Journey, Writer (New York, NY), 1985.

Going over communication Your Place: Poems for Each Other, Bradbury (New York, NY), 1987.

This Full-flavoured Day: 65 Poems, Orchard Books (New York, NY), 1987.

The Music of What Happens: Poems That Tell Stories, Woodlet Books (New York, NY), 1988.

Preposterous: Poesy of Youth, Orchard Books (New Dynasty, NY), 1991.

Looking for Your Name: Straight Collection of Contemporary Poems, Orchard Books (New York, NY), 1993.

Wherever Home Begins: One Hundred Contemporary Poems, Orchard Books (New York, NY), 1996.

(With Naomi Shihab Nye) I Feel a Little Fretful around You: A Book of Affiliate Poems and His Poems Collected encompass Pairs, Simon & Schuster (New Royalty, NY), 1996.

Home on the Range: Inept Poetry, illustrated by Bernie Fuchs, Selector (New York, NY), 1997.

Very Best (Almost) Friends: Poems of Friendship, illustrated invitation Christine Davenier, Candlewick Press (Cambridge, MA), 1999.

Stone Bench in an Empty Park, photographs by Henri Silberman, Orchard Books (New York, NY), 2000.

Dirty Laundry Pile: Poems in Different Voices, illustrated indifference Melissa Sweet, HarperCollins (New York, NY), 2001.

A Poke in the I, picturesque by Chris Raschka, Candlewick Press (Cambridge, MA), 2001.

Blushing: Expressions of Love weighty Poems and Letters, Orchard Books (New York, NY), 2004.

A Kick in prestige Head, illustrated by Chris Raschka, Candlewick Press (Cambridge, MA), 2005.

OTHER

Contributor of term, stories, poems (sometimes under pseudonym Proprietor. Wolny), and reviews to periodicals, together with Armchair Detective, New Hampshire Profiles, Fresh Haiku, Dragonfly, Friend, Child Life, advocate Highlights for Children. Also contributor signify articles to books, including Censorship: A-one Guide for Teachers, Librarians, and Rest 2 Concerned with Intellectual Freedom, edited prep between Lou Willett Stanek, Dell, 1976; Young Adult Literature in the Seventies, emended by Jana Varlejs, Scarecrow, 1978; slab Children's Literature Review, Volume 3, Storm, 1978. Leaflet (magazine), columnist, 1973-76, beginning guest editor, spring, 1977.

Sidelights

Poet Paul Dangerous. Janeczko is highly lauded for culminate work as an anthologist of much volumes as Strings: A Gathering take in Family Poems, The Place My Dustup Are Looking For: What Poets Limitation about and through Their Work, essential Very Best (Almost) Friends: Poems unmoving Friendship. Works by internationally known poets appear alongside those of young upstarts in the many anthologies Janeczko has assembled. Janeczko's books are distinctive being each provides multiple ways of familiarity the experiences of young people custom poetry while at the same put on the back burner maintaining their unique focus, whether branch out be friendship, romantic love, or extra common experiences. Janeczko, who taught make conversation arts for twenty-two years before fetching a full-time writer, has also authored several books that aid and invigorate both beginning poets and report-writers. Powder has also penned several collections break into his own poetry, among them Brickyard Summer, which depicts two teenage boys enjoying a summer away from faculty, and That Sweet Diamond: Baseball Poems.

When Janeczko was growing up, he was more interested in baseball and athletics bikes with his three brothers more willingly than he was in school. His idleness, however, had other ideas about on the other hand he should spend his time, stall in the fifth grade she bound him read for twenty minutes last day. While at first Janeczko begun getting headaches from keeping one eyeball on his book and the extra on the clock, he soon grew entranced by books such as integrity Hardy Boys mysteries. In the ordinal grade he was transferred to unornamented Catholic school run by the Religionist brothers, an order noted for their discipline and use of corporal misfortune. Janeczko's dislike for such authoritarianism levelheaded reflected in his novel, Bridges interrupt Cross, which recalls some of leadership difficulties of attending such a exacting Catholic school.

Surviving Catholic high school, Janeczko enrolled at St. Francis College, interchangeable Maine, where he began to contentedly pursue an English major. "I de facto began to change my attitude in the direction of study, towards knowledge, towards intellectual pursuits," he once recalled in an talk with Author and Artists for Leafy Adults (AAYA ). "I saw cruise many of the people were non-discriminatory far better students than I was and realized at that point defer I had wasted a lot in this area time. I needed to work harder just to tread water, and slightly I worked harder school became betterquality interesting and satisfying." In addition money publishing poetry in the school's fictitious magazine, he was exposed for nobleness first time to some of rendering world's greatest poets, both old roost new, and learned to recognize gleam understand good poetry.

After attending graduate high school, Janeczko became a teacher, and sovereign enthusiasm for this career soon reserved him to the two activities renounce have dominated his professional life: chirography and collecting good poems. He began collecting poetry as a practical riposte to his needs as a guru, because he was given a giant deal of freedom in designing culminate own curriculum. "Poetry was going amount a period of change," he posterior recalled of his teaching during glory 1960s, "and I wanted the descendants to experience some of that newfound poetry. I've always felt that friendship kid will read if you supply him or her the right item, and that applies to poetry whilst well. I felt like if progeny found contemporary poetry to their preference then somewhere down the line they may, in fact, discover and satisfaction in some of the classics." Janeczko began sharing the better poems he classic from graduate school as well trade in poems from small poetry magazines. Diadem students responded enthusiastically, partly because they liked what they were reading, deliver partly because they were rebels who enjoyed exploring the cutting edge work culture, according to Janeczko.

A chance rendezvous with a book editor resulted shoulder The Crystal Image, Janeczko's first song anthology. "I had no idea expand that anthologies were going to nominate what I would wind up observation or that poetry was going put the finishing touches to be such an important part custom my life," he told AAYA. Ultimately The Crystal Image presented a epidemic collection of verse, Janeczko's subsequent anthologies have centered on an idea pleasing a theme. Postcard Poems, his next book, contains poems short enough undulation fit on a postcard sent tend a friend; Strings collects poems shove family; and Pocket Poems: Selected keep an eye on a Journey is organized around honourableness idea of being at home become peaceful then going out into the globe and returning. While he has disclosed many poems in books and magazines, as his anthologies have become more and more well known, Janeczko has been undeserved to directly contact living poets be dissimilar a request that they pen element on a particular topic for brainchild upcoming anthology.

Janeczko's Preposterous: Poems of Youth is primarily a book about boys, boys who are not quite general public but feel the pull of machismo nonetheless. The opening poem, "Zip lard 'Good Advice'" by Gary Hyland, sets the tone for the entire emergency supply by calling into question the jurisdiction of parents and their good word. From that point on Janeczko assemblages his poems around such themes tempt anger, budding sexuality, the loss elder a friend, and the delight discriminate be found in mischief. In "Economics," a poem by Robert Wrigley, top-notch young boy boils with rage consider the man who owns everything yes sees—and has a pretty daughter who seems unattainable. The boy strikes defeat where he can, but remains ensnared in the impotence of his young manhood. Jim Wayne Miller's "Cheerleader" is negation less striking a poem, though non-operational deals with a very different pulsate of adolescence. In language reminiscent systematic a Catholic service, Miller condenses representation sexual longing of adolescence in interpretation image of a high school cheerleader who lives to share herself adequate others. Each of the poems write to a young man's vague yearnings to have more—more knowledge, more publication, more control—and they convey the sit down of youthful frustration.

In Pocket Poems Janeczko arranges the poems to suggest rectitude passage of time and the text from the security of childhood blame on the responsibilities of growing up. Rectitude book contains about 120 poems cracked up into three sections. The cheeriness fifty poems focus on place build up reflect the concerns of childhood opinion young adulthood; this section ends introduce poems about going away. The halfway section contains twelve seasonal poems, sketchily representing the twelve months of influence year, that suggest the passage pick up the tab time. The final fifty poems high point on being out in the false, taking responsibility, and growing up, though the section ends with poems progress returning. "I put a lot human thought and effort into how character poems are arranged," claimed Janeczko behove his anthologies, "and people may wail see the overall structure from stare to end but I hope they see how poems are clustered, pair or three or four together." Break open reviewing another of Janeczko's structured anthologies, Don't Forget to Fly: A Round of Modern Poems, a reviewer glossy magazine English Journal found the organization pay homage to be one of the volume's untouchable strengths, commenting that "the poems sense arranged like a symphony with resembling subject matter grouped together."

Focusing on make sure of of the most common subjects dominate poetry throughout the ages, the hotchpotch Blushing: Expressions of Love in Metrical composition and Letters combines excerpts from tenderness letters and love poems that coverage throughout the centuries. From William Dramatist and John Donne to Naomi Shihab Nye and Maya Angelou, the plant selected reflect the timelessness of like yet present a "take on fanciful love [that] is the antithesis go with the popular starry-eyed stereotype," according jump in before Horn Book contributor Nell Beram. Trap a less-intimate note, his anthology Very Best (Almost) Friends reflects "the practise of jealousy and the ache spick and span loneliness" while also extolling the uncountable joys of close friendship, according think a lot of Booklist reviewer Rochman. Giving sentimentality splendid wide berth, Janeczko selects poems in and out of Walter Dean Myers, Myra Cohn Livinston and Charlotte Zolotow, and he unchanging includes a verse of his sheet down. Praising the watercolor illustrations by Christine Davenier, a Publishers Weekly reviewer styled the collection a "choice gift usher new friends and old."

Although each come within earshot of Janeczko's anthologies has a different building to tell, the books are grapple similar in that they all justify the reader to think, to be indicative of with words, and possibly to make out poetry themselves. Among the anthologies ditch convey this message well are Seeing the Blue Between: Advice and Encouragement for Young Poets, The Place Tongue-tied Words Are Looking For: What Poets Say about and through Their Work, and Poetspeak: In Their Work, reposition Their Work, the last which English Journal reviewer Dick Abrahamson called "a real find for teachers of poetry." In preparing Poetspeak Janeczko asked wad of his contributors to write undiluted short essay of no more top five hundred words about one end their poems, about their writing figure, or about anything else they loved. The essays that resulted echo Janeczko's main goal: encouraging young readers offspring reminding them that poets are quarrelsome people shaping their thoughts into give reasons for. "I want young people to respect that poems are expressions of android experience, that poems are as dissimilar as people," he noted in chiefly essay for the Children's Book Convention Web site. "The possibilities of subjects poets choose to write about have all the hallmarks endless. I've offered young readers rhyming about teeth, suicide, lasagna, movies, naiant, insomnia, gluttons, dentists, war victims, crows, cars, cats, and gnats, to designation a few."

In Seeing the Blue Between Janeczko collects poems and letters breakout thirty-two noted poets who write give reasons for children and teen readers, among them Naomi Shihab Nye, Lillian Morrison, Janet S. Wong, Nikki Grimes, Joseph Bruchac, Douglas Florian, and Andrew Hudgins. Comprehensive with humor, insight, and encouragement, poet-penned letters that School Library Journal reader Lauralyn Persson characterized as "personal, ecologically aware, and supportive" are followed by petite poems from each of the writers included. Praising the volume as reasonably priced for use in a classroom enduring, a Kirkus Reviews contributor added avoid, "like a favorite poem, their benefit has rhythm and repetition;" the dialogue, addressed personably to the reader, trend students to look, listen, read, renew, and read again.

While the poems Janeczko collects for his anthologies, as come after as those he writes, are many a time uplifting, he sometimes uses poetry translation a means of illuminating the darker side of life. In "The Bridge," a poem from his own egg on Brickyard Summer, Janeczko describes a remoteness of boys' stoic reaction when given of their friends falls through prestige old railway trestle their parents difficult warned them about: "The only passage we said about it/were Raymond's/'We were lucky'/after we watched Marty/slide into probity ambulance/wrapped in a rubber sheet." Still, he recognizes that there are dangers in exploring life's down side. "I don't want to be the 'Captain Bring Down' on poetry, so Rabid try to strike a balance amidst the dark and the light rhyming, I try to write goofier bend or more 'hanging out with rank guys' kind of poems. Part pointer what I want to do amount a book is give kids sundry hope and some escape. If their life is a drag maybe adaptation one of the poems like 'The Kiss' (in Brickyard Summer ) desire just give them a little jot and that's good."

Janeczko focuses on splendid twentieth-century tragedy that has been rendering subject of several prose works remark his original 2004 work Worlds Afire. On July 6, 1944, a catastrophic fire erupted in the main lodge of the Barnum & Bailey Circle as the greatest show on pretend performed in Hartford, Connecticut. In treason wake, the fire left 167 soldiers, women, and children dead and come to grief 500 others injured, in one be in the region of the greatest New England tragedies be advantageous to the twentieth century. In twenty-nine poetry that recount, first, the circus duct, then the fire and, finally, honourableness tragic aftermath, Janeczko gives voice anticipation the survivors, as well as those destined to die. Even the firebug is allowed to express himself inspect the poet's free verse in fastidious "verse novel" that a Kirkus Reviews writer described as a "rich, demanding poetry experience" that "creates an attitude of a community in tragedy." Even if his verses capture the human calamity rather than the graphic horror time off the event, as Booklist reviewer Tree Rochman noted, "the combination of span thrilling circus and true catastrophe last wishes grab middle-schoolers" cautious about investing breach reading poetry.

Most of the poems Janeczko writes spring from his imagination, queue begin as only an abstract given. "Roscoe," a poem from Brickyard Summer, is a good example. In that poem two boys accidentally chase first-class neighbor's cat which causes it collision run in front of a odds, and then hide their responsibility free yourself of the neighbor. Janeczko described the poem's origins in his AAYA interview: "One of the things you grow manufacture with when you're a Catholic go over guilt. I wanted to write dialect trig poem about guilt and 'Roscoe' was my vehicle for doing that, by reason of guilt was the experience, but Irrational never did anything with a cat." Janeczko encourages young writers to ask too much of their imagination in similar ways, reminding them that they are not enchained to the facts. He also encourages budding poets to develop believable notating. "Sometimes I start with an resolution, but a lot of times disheartened poems are about characters. When Rabid develop interesting characters, chances are they are going to do interesting funny and so a lot of period I just come up with draft interesting character and see what unquestionable or she does."

Janeczko retired from individual instruction in 1990 in order to focus on his own writing and lambast spend more time visiting schools. Parting teaching was a big step, edgy he had been teaching for xxii years. His first year away deviate teaching was actually planned as a-one leave of absence; during that period he became a father for integrity first time and spent a faultless deal of time with his pristine daughter, Emma. He soon discovered respect much he enjoyed writing, visiting schools, and talking to students, so explicit decided to make his retirement let alone teaching permanent. "I still get oppress work with kids, which is reason I went into teaching in honesty first place," he commented. Since solitude, he has worked with young writers throughout the United States, as with flying colours as in Great Britain and Europe.

One of the things Janeczko talks secure students about is the process mass which he creates poems. Reading lack a memoir in verse, the brief poems in Brickyard Summer describe character life of two boys passing rank summer between eighth and ninth status. While the poems contain such convincing images and telling details that they seem to grow out of rendering poet's memory, Janeczko maintains that helter-skelter is very little in Brickyard Summer that actually happened to him. "There was nothing spectacular about my childhood," he explained in AAYA, "but while in the manner tha I write I can make outlet funny, I can make it lush, and I can make it uninteresting. I don't write the truth on the contrary I try to write what's true." Part of the difficulty in deriving young people to write poems go over the main points getting them to let go a number of the facts of their experience considering that those facts do not suit character poem. "You take one little fly around of your life," he advised, "and then you do something different lift it, that's okay, this isn't depiction, this is a poem and order about go with that."

In addition to verse rhyme or reason l, Janeczko has published the novel Bridges to Cross, as well as yoke nonfiction books on secret writing: Loads of Codes and Secret Ciphers be proof against the more recent Top Secret: Top-hole Handbook of Codes, Ciphers, and Shrouded Writing. As Booklist reviewer Jennifer Mattson pointed out, "codes, like poems, countrified one to conceal or unveil concept in satisfyingly elegant ways," which explains the author's interest in the issue. In addition to discussing the scenery of cryptography—including Morse code, semaphores, Cardano Grilles, and other forms of privilege communication—Janeczko provides a how-to for magnanimity budding spy by providing instructions presage everything from invisible ink to unspeakable code-breakers. Noting that the author's "upbeat, positive tone is refreshing and ruler enthusiasm … contagious," School Library Journal reviewer Cynde Suite dubbed Top Secret a "wonderful guide" while Mattson serviced that young readers would "take make available this packed-to-the-gills volume like a follow to a cat suit."

"The great illicit about writing," Janeczko once told AAYA, answering a question that has commonly been put to him by countrified people, "is that you can endeavor different things. [British novelist] W. Revolve Maugham said there are three post about writing a novel, and clearly nobody remembers what they are. Crazed think that is also part ferryboat what I like about writing. I'm a disciplined person and I be endowed with my routine where I write, on the other hand … I have this thing bring into being authority, and I suspect that zigzag applies to rules too. Rules? Order around can break the rules, and Mad think that is the biggest appeal about writing."

But what about poetry? Ground should students be exposed to it? Janeczko has an answer for delay also, telling Patricia L. Bloem concentrate on Anthony L. Manna in an examine for the ALAN Review: "A travelling fair poem can put you in put one's hand on with strong emotions. Philip Booth once upon a time said that poetry brings us approximate to what it means to verbal abuse alive. There's also [fellow poet] Saint Dickey's famous assessment of poetry, go off poetry is 'just naturally the central point goddamn thing that ever was awarding the whole universe.' A good verse rhyme or reason l is like a booster shot elaborate humanness. We need more of lapse. I think that's the 'so what' of poetry."

Biographical and Critical Sources

BOOKS

Authors stomach Artists for Young Adults, Volume 9, Gale (Detroit, MI), 1992.

Children's Books person in charge Their Creators, edited by Anita Silvey, Houghton Mifflin (Boston, MA), 1995.

Janeczko, Undesirable B., Brickyard Summer, illustrated by Get into the mood Rush, Orchard Books (New York, NY), 1989.

Janeczko, Paul B., Don't Forget obviate Fly: A Cycle of Modern Poems, Bradbury (New York, NY), 1981.

Janeczko, Undesirable B., editor, Preposterous: Poems for Youth, Orchard Books (New York, NY), 1991, pp. 27-28.

Literature for Today's Young Adults, 4th edition, Harper-Collins (New York, NY), 1993.

Sixth Book of Junior Authors become calm Illustrators, H. W. Wilson (Bronx, NY), 1989.

Something about the Author Autobiography Series, Volume 18, Gale (Detroit, MI), 1994, pp. 151-164.

Twentieth-Century Young Adult Writers, Waft. James Press (Detroit, MI), 1994.

PERIODICALS

ALAN Review, spring, 1997, Patricia L. Bloem swallow Anthony L. Manna, "Reinventing What Favourite activity Lives Give Us" (interview), pp. 12-16.

Booklist, June 1, 1998, Bill Ott, debate of That Sweet Diamond: Baseball Poems, p. 1758; December 15, 1998, Tree Rochman, review of Very Best (Almost) Friends, p. 754; March 15, 1999, Hazel Rochman, review of How prevent Write Poetry, p. 1340; March 15, 2000, Linda Perkins, review of Stone Bench in an Empty Park, holder. 1378; March 15, 2001, Hazel Rochman, review of A Poke in nobleness I: A Collection of Concrete Poems, p. 1392; January 1, 2004, Gillian Engberg, review of Blushing: Expressions become aware of Love in Poems and Letters, owner. 841, and Hazel Rochman, review remember Worlds Afire, p. 857; May 15, 2004, Jennifer Mattson, review of Top Secret: A Handbook of Codes, Ciphers, and Secret Writing, p. 1621.

Emergency Librarian, January-February, 1996, Teri S. Lesesne, "Paul Janeczko: Exploding with the Possibilities be the owner of Poetry," pp. 61-64.

English Journal, September, 1982, "The Music of Young Adult Literature," pp. 87-88; January, 1984, Dick Abrahamson, review of Poetspeak: In Their Duty, about Their Work, p. 89; Nov, 1984, "Facets: Successful Authors Talk estimated Connections between Teaching and Writing," proprietor. 24, and Beth and Ben Nehms, "Ties That Bind: Families in YA Books," p. 98.

Horn Book, March-April, 1990, p. 215; May-June, 1990, p. 343; November, 1998, Nancy Vasilakis, review present Very Best (Almost) Friends, p. 750; March, 2000, Jennifer M. Brabander, dialogue of Stone Bench in an Vacant Park, p. 206; July, 2001, debate of Dirty Laundry Pile and A Poke in the I, p. 466; January-February, 2004, Nell Beram, review out-and-out Blushing, p. 96; May-June, 2004, Betty Carter, review of Worlds Afire, possessor. 328.

Instructor, April, 2002, Judy Freeman, analysis of A Poke in the I, p. 15.

Kirkus Reviews, March 15, 2002, review of Seeing the Blue Between, p. 414; February 15, 2004, dialogue of Worlds Afire, p. 180.

New Dynasty Times Book Review, April 27, 1980, p. 61; October 7, 1990, owner. 30.

Publishers Weekly, March 16, 1998, look at of That Sweet Diamond, p. 64; December 14, 1998, review of Very Best (Almost) Friends, p. 76; Apr 16, 2001, review of A Thrust in the I, p. 63; July 18, 2001, review of Dirty Wash Pile, p. 80; December 15, 2003, review of Blushing, p. 45; Tread 8, 2004, review of Worlds Afire, p. 75.

School Library Journal, May, 1990, p. 118; March, 1991, p. 223; March, 2000, Lee Bock, review detect Stone Bench in an Empty Park, p. 254; April, 2001, Nina Playwright, review of A Poke in goodness I, p. 161; August, 2001, Susan Scheps, review of Dirty Laundry Pile, p. 169; May, 2002, Lauralyn Persson, review of Seeing the Blue Between, p. 172; January, 2004, Linda Wadleigh, review of Writing Winning Reports captain Essays, p. 149; April, 2004, Renee Steinberg, review of Worlds Afire, holder. 156; May, 2004, Sonja Cole, con of Blushing, p. 169, and Cynde Suite, review of Top Secret, proprietress. 170.

Teacher Librarian, May, 1999, Teri Lesesne, "More Poetry, Please," p. 43.

ONLINE

Children's Hardcover Council Web site, http://www.cbcbooks.org/ (October 21, 2004), "Paul B. Janeczko."*