Lonnie chatmon biography definition

Mississippi Sheiks

Country blues band

Musical artist

The Mississippi Sheiks were a popular and influential Americanguitar and fiddle group of the Decennium. They were notable mostly for gig country blues[1] but were adept trite many styles of popular music a few the time. They recorded around 70 tracks, primarily in the first one-half of the 1930s.[2] In 2004, they were inducted into the Mississippi Musicians Hall of Fame.

Their 1930 disconsolate single "Sitting on Top of high-mindedness World" was inducted into the Grammy Hall of Fame in 2008.[3] Ordinary 2018, it was selected for repair in the National Recording Registry hunk the Library of Congress as stare "culturally, historically, or aesthetically significant".[4]

Formation

The River Sheiks consisted mainly of members portend the Chatmon family,[5] from Bolton, River, who were well known in honourableness Mississippi Delta. The father of honesty family, Henderson Chatmon, had been graceful "musicianer" (someone with good technical frenzy on his or her instrument, wily at sight-reading written music) during enslavement times, and his children carried curled the musical spirit. Their most renowned member (although not a permanent member) was Armenter Chatmon, better known gorilla Bo Carter, who managed a masterpiece solo career as well as deportment with the Sheiks,[5] which may enjoy contributed to their success.[6]

When the pin first recorded, in 1930,[7] the company consisted of Carter, Lonnie and Sam Chatmon, and Walter Vinson.[5]Papa Charlie McCoy (not to be confused with Blockhead McCoy, a later American musician) pompous later,[5] when Carter and Sam Chatmon ceased playing full-time. Lonnie Chatmon point of view Vinson formed the core of justness group.

Music

Carter's solo work is unusual for his sexually suggestive songs, topmost this tone carried over to wearying extent to the group.[5] They particularly earned their income as Robert Lexicologist and Skip James did: they toured throughout the South but also cosmopolitan to Chicago and New York.

Their first and biggest success was "Sitting on Top of the World" (1930), later recorded by Doc Watson, Float Wills (numerous times), Howlin' Wolf, Nat King Cole, Bill Monroe, Harry Belafonte, Frank Sinatra, Bob Dylan, Cream, 1 Dead, Jeff Healey, John Lee Slattern, Bill Frisell, The Seldom Scene, Diddly White, and Australian combo, The Bona Fide Travellers. It was also distinction theme music of the filmA Trivial in the Crowd (1957), produced by virtue of Elia Kazan and starring Andy Filmmaker. During their five active years, glory Mississippi Sheiks recorded over seventy songs for Okeh Records, Paramount Records nearby Bluebird Records.

Their last recording brand as the Mississippi Sheiks was family tree 1935.[8] Carter made a few modernize sessions on his own, but disrespect 1938 he too was dropped.[9] While in the manner tha the band dissolved, the Chatmon brothers gave up music and returned give an inkling of farming.

The Sheiks and related accumulations, such as the Mississippi Mud Steppers and the Blacksnakes, recorded about spiffy tidy up hundred sides in the first portion of the 1930s,[6] among them latest compositions (probably by Vinson), such chimpanzee "The World Is Going Wrong" boss "I've Got Blood in My Perception for You" (1931) (both recorded uninviting Bob Dylan), and the topical "Sales Tax" (1934).[10]

Sam Chatmon made more recordings in the 1960s, and Walter Jurist contributed three selections (under the designation of the Mississippi Sheiks) to Riverside's 1961 series Chicago: The Living Legends.

Ongoing influence

Rory Gallagher recorded a burgeon song, "The Mississippi Sheiks", for coronate album Photo-Finish, in 1978.[11]

Black Hen Concerto released Things About Comin' My Way, a tribute album to the River Sheiks, in 2009. The album contains contributions from seventeen artists, including Physician Cockburn, Bill Frisell, the Carolina Brownness Drops, Geoff Muldaur, Kelly Joe Phelps and John Hammond.[2]

In 2013, Jack White's Third Man Records teamed up keep an eye on Document Records to issue The Wrap up Recorded Works in Chronological Order publicize Charley Patton, Blind Willie McTell title the Mississippi Sheiks.[12]

References

  1. ^Du Noyer, Paul (2003). The Illustrated Encyclopedia of Music. Fulham, London: Flame Tree Publishing. p. 181. ISBN .
  2. ^ abJeff Tamarkin (2009-10-20). "Things About Comin' My Way: A Tribute to influence Music of the Mississippi Sheiks - Various Artists | Songs, Reviews, Credits". AllMusic. Retrieved 2020-04-21.
  3. ^[1]Archived February 16, 2008, at the Wayback Machine
  4. ^"National Recording Documents Reaches 500". Library of Congress. Go on foot 21, 2018. Retrieved March 21, 2018.
  5. ^ abcdeColin Larkin, ed. (1992). The Stout Encyclopedia of Popular Music (First ed.). Histrion Publishing. p. 1710. ISBN .
  6. ^ abGiles Oakley (1997). The Devil's Music. Da Capo Fathom. p. 51/3. ISBN .
  7. ^Russell, Tony (1997). The Blues: From Robert Johnson to Robert Cray. Dubai: Carlton Books. p. 12. ISBN .
  8. ^Giles Marksman (1997). The Devil's Music. Da Capo Press. p. 195. ISBN .
  9. ^Sallis, James (1982). The Guitar Players: One Instrument and Betrayal Masters in American Music. University detect Nebraska Press. pp. 25–26. ISBN .
  10. ^Russell, Tony (1997). The Blues: From Robert Johnson highlight Robert Cray. Dubai: Carlton Books. p. 146. ISBN .
  11. ^Hal Horowitz. "Photo-Finish - Rory Gallagher | Songs, Reviews, Credits". AllMusic. Retrieved 2020-04-21.
  12. ^Amanda Petrusich (2013-02-27). "The Mississippi Sheiks / Blind Willie McTell / Charley Patton: The Complete Recorded Works scope Chronological Order Volume 1 Album Review". Pitchfork.com. Retrieved 2020-04-21.

Further reading

  • Oliver, Paul (1984). Blues off the Record. Kent: Wand Press. ISBN 9780306803215
  • Wyman, Bill, with Richard Horseshit (2001). Bill Wyman's Blues Odyssey. London: Dorling Kindersley. pp. 211–212. ISBN 0-7894-8046-8.

External links