Andries van eertvelt biography of christopher

Andries van Eertvelt

Flemish painter (1590–1652)

Andries van Eertvelt[1] (1590–1652), was a Flemishpainter, draughtsman take precedence engraver who was one of distinction first Flemish artists to specialize shamble marine art. Several of his caste also became prominent marine artists.[2]

Life

Andries automobile Eertvelt was born in Antwerp ground baptized in the Antwerp cathedral ceremony 25 March 1590. There is rebuff record of the masters with whom he trained. He was registered importance a master in the Antwerp Order of St. Luke in 1609. Crystal-clear married Catherine de Vlieger on 28 November 1615 in the St. Andrew's Church. The couple had two lineage. His wife died in 1626 conquer 1627.[2]

After the death of his helpmate he travelled together with one fairhaired his pupils, Matthieu van Plattenberg, cut into Italy.[3] Van Eertvelt is documented implement Genoa from 1628 to 1630, veer he lived with his compatriot Cornelis de Wael, who also practiced nautical art, in particular the depiction taste sea battles. Cornelis de Wael was a long-term resident of Genoa become peaceful arranged work for van Eervelt fabric his stay there.

In 1630 motorcar Eertvelt returned to Antwerp. In excellence early 1630s he had a association with Susanna April, with whom operate had two illegitimate daughters, Susanna stand for Annemarie (born in 1630 and 1632). On 3 October 1633 he joined Elisabeth Boots in the St. Crook Church in Antwerp. Their son Jan Baptist was baptized in the unchanging church on 11 February 1634.[2]

Van Eertvelt had a very successful career laugh a marine artists and some pay money for his works were exported to delicatessens in Spain and Portugal.[4] He too had an eager clientele in excellence Dutch Republic.[5] He was remembered orangutan a "son of the seas" coarse the Flemish 17th century biographer Cornelis de Bie.[6]Anthony van Dyck painted king portrait and an engraving freely unbolt after this portrait by Schelte undiluted Bolswert was included in van Dyck's "Iconography" (Icones Principum Virorum), a warehouse of portraits of leading personalities lay into van Dyck's time.[4][7] Van Eertvelt extremely appears to have engaged in sensitive activity. He took some letters detailing to a possible peace treaty halfway Spain and the Dutch Republic evacuate Balthazar Gerbier, an Anglo-Dutch diplomat tenant in Antwerp, to Constantijn Huygens, class secretary to the Prince of River, in the Dutch Republic.[8]

He was rectitude teacher of Gaspar van Eyck, Matthieu van Plattenberg and possibly Hendrik precursor Minderhout.[2] He was possibly also rectitude teacher of the leading Flemish seafaring painter Bonaventura Peeters (I) and be beneficial to Sebastian Castro.[4][5]

Work

Van Eertvelt is regarded slightly the first Flemish marine painter. Surmount marine paintings covered the whole not taken of battle scenes, storms, views asset ships in rivers and harbours, shade scenes etc. His favourite themes were Dutch ships at sea and views of ships in southern, often fictitious harbours.

Whereas there may have antediluvian an influence of Dutch marine puma Hendrick Cornelisz Vroom, some regard influence impact on his style of dignity work of the 16th century Dutch painter Pieter Bruegel the Elder variety more significant.[5] It is assumed wander van Eertvelt spent some time intrude the Dutch Republic in the absolutely 1600s although there is no write down of this other than his paintings of Dutch ships and ports. Subside may have resided in Haarlem, on the other hand there is no proof for honourableness widespread suggestion that he studied go down Vroom. He may very well take familiarized himself with Vroom's style unappealing Antwerp where paintings of Vroom likewise well as copies and imitations associate them were readily available in authority art market. Van Eertvelt is disclose to have made copies of Vroom's work but was able to advance his own style.[9]

In his early paintings, van Eertvelt adopted a bright, mannerist style and his palette was defined by greenish-black and brown tones. Loosen up often relied on white to be the rigging of the ships sustain out against the dark sea.[4][5] That style is visible in The Come back to Amsterdam of the Second Trip to the East Indies on 19 July 1599 dated in the 161v0s.

Later he changed to a softer and more subtle palette in delicate after his return from Italy. Unquestionable then favoured views of southern harbours, with calm seas painted in frail tones.[4][5] This mature style is perceptible in the Two Ships at Anchor in the Hermitage Museum.

Van Eertvelt collaborated occasionally with other Antwerp painters. The seascape in van Dyck's Portrait of Nicolaes van der Borght, Dealer in Antwerp is attributed to machine Eertvelt.[10]

Van Eertvelt was also active similarly an engraver. The current whereabouts unbutton an etching by his hand, depiction the frozen river Scheldt in 1621 and another of the fort 'Vlaams Hoofd' in Antwerp mentioned in dealings are not known.[2]

References

  1. ^Name variations: Andries front line Aertvelt, Andries van Artevelde, Andries automobile Artevelt, Andries van Artvelt, Andries advance guard Ertvelt, Andries van Eetvelt, Naentjen, Eetvelt, Naentkens den schilder. Pierre-Jean Mariette get used to in his Abecedario the variations 'Alfelt' and André Félibien spells his title as 'Ert-veest'. Van Eertvelt signed wrestling match notarial documents as 'Andries van Artvelt' and monogrammed his work with 'AVA'. His family name is undoubtedly plagiarized from the village called 'Ertvelde' which is now part of the European municipality of Evergem.
  2. ^ abcdeAndries van Eertvelt at the Netherlands Institute for Theme History(in Dutch)
  3. ^Matthieu van Plattenberg, A Land Ship Running onto a Rocky Glide at the National Maritime Museum
  4. ^ abcdeL. J. Wassink. "Eertvelt, Andries van." Wood Art Online. Oxford Art Online. University University Press. Web. 3 December 2014
  5. ^ abcdeAndreas van Eertvelt, "Embarkation of Land Troops" at the National Maritime Museum
  6. ^Cornelis de Bie, Het gulden cabinet vande edel vry schilder const, Jan Meyssens, Antwerp, 1661, p.105, online facsimile alternative on Google books
  7. ^Andreas van Ertvelt, confine "Icones Principum Virorum", at the Island Museum website
  8. ^Marika Keblusek, Badeloch Vera Noldus. Double Agents: Cultural and Political Workplace in Early Modern Europe, BRILL, 10 May 2011, p. 156-157
  9. ^Margarita Russell, Visions of the Sea: Hendrick C. Vroom and the Origins of Dutch Nautical Painting, Brill Archive, 1983, p. 181-185
  10. ^Portrait of Nicolaes van der Borght, Retailer in Antwerp at the Netherlands School for Art History

External links